The first contact had for the reader with the magazines if of the one for the layer. It is possible to observe the change of etria band which belongs the personages with regard to the ones of the original series. Parallel to this alteration, modifications of style and narrative are verified, also in relation to the original series. The indications of these two changes are the heading of the workmanship and the calls of that they announce ' ' They had grown! ' ' ' ' In Style Sleeve! ' '. (BROWN, 2009). For Brown Adriano de Avance (2009), elements as clothes of the personages strengthen these changes, since now they use clothes ' ' descoladas' ' , everything minutely detailed contributing for the construction of the behavior of each personage. It has of if observing the proper estruturao in the style of sleeves, with irregular pictures, and a scene that sends the sensations playful. The paratextuais indications (internal contralayer, layers, etc) serve as have detached for the style sleeve.
Thursday, January 9, 2014
Miriam Abramovay
The first contact had for the reader with the magazines if of the one for the layer. It is possible to observe the change of etria band which belongs the personages with regard to the ones of the original series. Parallel to this alteration, modifications of style and narrative are verified, also in relation to the original series. The indications of these two changes are the heading of the workmanship and the calls of that they announce ' ' They had grown! ' ' ' ' In Style Sleeve! ' '. (BROWN, 2009). For Brown Adriano de Avance (2009), elements as clothes of the personages strengthen these changes, since now they use clothes ' ' descoladas' ' , everything minutely detailed contributing for the construction of the behavior of each personage. It has of if observing the proper estruturao in the style of sleeves, with irregular pictures, and a scene that sends the sensations playful. The paratextuais indications (internal contralayer, layers, etc) serve as have detached for the style sleeve.
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